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There seems to be a gender imbalance, vis-a-vis the packaging thing. All the women I know are tolerant of middle age showing itself in a chap. We quite like a late flowering, in fact: the silvering, the smile lines, the coming of bodily sturdiness. We read these as signs that life has been lived and enjoyed.


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Read more about our cookie policy Accept and close the cookie policy. Museum number , Description Head of a woman with elaborate coiffure; looking down slightly to left Charcoal some oiled? Producer name Drawn by: Andrea del Verrocchio. Production date circa. Materials paper. Technique drawn. Dimensions Height: millimetres Width: millimetres. Curator's comments The Italian connoisseur Giovanni Morelli was the first to attribute this drawing to Verrocchio, previously in Malcolm's collection it was catalogued by J.

The finished, highly worked study on the recto seems most likely to have been based on the much less eleborate drawing, perhaps from the life, on the verso. The tilt of the head and the downcast gaze of the head on the recto has often been compared to a drawing of a standard with a reclining nymph in the Uffizi, Florence E. The attribution of the Florence drawing has oscillated between Verrocchio and his pupil Leonardo and is now thought to have been worked on by both artists see P.

Marani's essay in the Metropolitan catalogue, p. The Uffizi study has plausibly been connected to a commission for a banner, now lost, painted for Giuliano de' Medici in January to celebrate his victory at a tournament held in the Piazza Santa Croce in Florence, an event known as the 'la giostra di Giuliano'. The heads in the two drawings are certainly similar but perhaps not sufficiently close to prove that the BM study was made for the banner. However the similarity does provide a good idea of the dating of the BM sheet.

Another possibility is that the BM drawing is an unusued cartoon for a painting because, as Carmen Bambach observes, it seems unlikely that Verrocchio would have needed such an elaborate drawing for a processional banner.

The general pose of the figure goes well with the Virgin in the 'Madonna of the Piazza' altarpiece painted for Pistoia cathedral. This was commissioned by the executors of the will of Bishop Donato de'Medici around for the Chiesino della Madonna di Piazza now the chapel of the sacrament in the cathedral , an oratory originally adjacent to the cathedral. The altarpiece was known to have been unfinished in November Verrocchio's chief assistant Lorenzo di Credi is generally thought to have painted most of the work but it is possible that some elements of the composition were based on studies supplied by his master.

The Louvre study by Credi for the St John the Baptist for the painting does suggest that it was he, rather than his master, who was the chief designer; for this and related studies for the commission see the New York catalogue, nos.

In any case the coiffeur of the Virgin in the Pistoia painting is considerably simpler, although the angle of the head is similar. While no firm connection for the BM drawing can be made, the similarities with the Pistoia painting further strengthen the idea that it was drawn by Verrocchio in the period, The virtuoso description of the flowing tresses and the mood of introspection conjured up through the lighting and expression were taken up by Verrocchio's pupil Leonardo, and perhaps no other work so eloquently demonstrates how much the younger artist owed to his master.

Leonardo is described in as working with Verrocchio and the two had by this time collaborated on the 'Baptism of Christ' altarpiece, now in the Uffizi, Florence for the monks of S. Salvi for a monastery outside Florence.

The technique of the drawing has been described in different ways: in Popham and Pouncey's entry it is given as 'black chalk with white heightening' i. As black chalk and charcoal are both made from carbon there is no way of differentiating them through chemical analysis such as Raman. They conclude that the drawing is most likely charcoal, probably with some of the sticks oiled on the recto which would help the medium bind to the surface of the paper and deepen the tone.

Magnification definitely shows that the white is leadpoint and this is confirmed by Raman and XRF. HC Lit. Morelli I. Popham and P. Grassi, 'I disegni italiani del Trecento e Quattrocento: scuole fiorentina, senese, marchigiana, umbra', Venice, n. Brown and C. Chapman, in exhib. Rubin and A. Wright, in exhib. Bambach, in exhib. Syre, in exhib. Syre, J. Schmidt and H. Chapman and M. Faietti, exhib. We find no evidence for this: to us both recto and verso seem to be entirely by Verrocchio himself.

There is no trace of the damage by damp of which Miss Cruttwell speaks. Catalogued by Robinson as North Italian, first half of the sixteenth century.

Morelli was the first to ascribe it to Verrocchio. Miss Cruttwell dates it, largely on the evidence of the coiffure, about It may possibly be a study for the head of the Madonna in the Pistoia altar-piece Van Marle, op. If this is so, the drawing would date from about Thiis, Leonardo da Vinci, n. Mackowsky, Verrocchio, , pp. Cruttwell, Verrocchio, , pp. Popp, O. Bertini, op.

Guide, , no. Location Not on display. Zomer L. Acquisition date Department Prints and Drawings. Registration number , Conservation Treatment : 07 Aug Treatment : 10 Jun

Why are older men looking at women half their age?

You can change your city from here. We serve personalized stories based on the selected city. Salman Khan's brother-in-law wore a denim jacket worth INR 90, and we tell you why it's so expensive! Refrain from posting comments that are obscene, defamatory or inflammatory, and do not indulge in personal attacks, name calling or inciting hatred against any community.

Ambiguous images or reversible figures are visual forms which exploit graphical similarities and other properties of visual system interpretation between two or more distinct image forms. These are famous for inducing the phenomenon of multistable perception. Multistable perception is the occurrence of an image being able to provide multiple, although stable, perceptions.

What are memories to us that live and die; Is it joy, pain, regret, hope, pride, hatred. Do those memories become the things we cherish for a lifetime? If the mind forgets does our heart remember? All these things wrapped in emotions and feelings; do these memories make us mortal, do they make us human?

What You See in This Famous Optical Illusion Could Reveal How Old You Are

She has led a major international project to develop an accurate descriptive theory of appearances on an experimental basis. Liliana Albertazzi. While the scientific study of vision is well-advanced, a universal theory of qualitative visual appearances texture, shape, colour and so on is still lacking. Presents and discusses a new perspective in vision science, and formalizes a field of study that will become increasingly significant to researchers in visual science and beyond The contributors are outstanding scholars in their fields with impeccable academic credentials, including Jan J. Koenderink, Irving Biederman, Donald Hoffmann, Steven Zucker and Nikos Logothetis Divided into five parts: Linking Psychophysics and Qualities; Qualities in Space, Time and Motion; Appearances; Measurement and Qualities; Science and Aesthetics of Appearances Each chapter will have the same structure consisting of: topic overview; historical roots; debate; new perspective; methods; results and recent developments. Linking Psycmphysigs md Qumies. Public Obects and Private ualia The Sco e. The Attribute of Realness and the Internal Organization. Multistable Visual Perception as a Gateway to.

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They are both trapped in this famous optical illusion that first appeared on an German postcard and was later adapted by British cartoonist William Ely Hill, who published it in a humor magazine in with the title "My Wife and My Mother-in-Law. Using Amazon's Mechanical Turk, an online crowdsourcing platform, researchers showed the illusion for half a second to U.

This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus years or fewer. You must also include a United States public domain tag to indicate why this work is in the public domain in the United States. From Wikimedia Commons, the free media repository.

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SEE VIDEO BY TOPIC: 'I Believe I’m The Rosa Parks Of The Internet' Says Woman Who Live Streams Her Life

If you see the young woman: look at the young woman's chin and think of it as a large nose, and look at the young woman's ear and think of it as an eye. If you see the old woman: look at the old woman's nose, and think of it as the left cheek of a face looking away from you, and look at the old woman's eye and think of it as an ear on a face looking away from you. You should experience a 'Gestalt switch' between seeing the image as an old woman or a young woman. William Ely Hill - , a British cartoonist, produced a later, well-known version. The later, well-known version, was first published in the magazine Puck , in The Young Woman, Old Woman Ambiguous Figure belongs in a large class of illusions where a two-dimensional figure, or three-dimensional object can be seen in two or more sharply distinct ways.

Ambiguous image

This story is an unusual glimpse of a mafioso that seldom is seen by others. Joey V. Once a high-ranking member of the big five out of New York, he now resides in Minnesota as a successful businessman and part owner of a night club. Through a number of years and through strange circumstances, he ended up in a relationship with a number of wayward girls of the street. His efforts to help them was to put them through schools and training so that they could become more successful in their personal lives and independent from the street life. Things are going quite well for him and the eleven girls for a number of years until one fall night two of the girls were viciously murdered. There seemed to be no reason behind the murders and the police could neither come up with a motive nor any suspects to the crimes.

There in the front window was an old woman looking down at them. Her hair was snow white and fixed in abun ontop of her head. Perched on her nose was an  Barbara Pleasant - - ‎Fiction.


Sad old senior woman looking down and crying


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Comments: 2
  1. Kazrakasa

    Precisely, you are right

  2. JoJobar

    Unequivocally, excellent answer

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